One of the participants in the workshop, Tyler Olsen, blogged about it here. As he writes, the experience went like this: I met with the actors that Jen Harrington and Luke Weber, my friends -- er, professional acquaintances -- who run Gonzo, had selected and cast. The actors were all pretty amazing -- some were newer to the scene and some were kinda crazy qualified and experienced (in a "oh, I run my own theater group" kinda of a way) but they all did an excellent job and had been cast very well for their roles. The actors and Gonzo folk gave me lots of feedback, which is like manna to my raging ego, and I went home and made revisions. Tyler gives me a lot of credit in the blog entry above for being open to suggestions, but I'm basically just happy when people are paying attention to me and the initial draft was criminally long -- cutting it was easy as cutting a really easy pie.
We did another reading/suggestion session and I made some MORE changes, and then angelic Jen Harrington printed out the changed pages and brought them to the space and then the angelic actors did not punch me in the face when I gave them new pages twenty minutes before the reading and was like "Okay, so pages 1-9 and are now new. Begin on old page 10 and continue halfway till old page number 34, which will then repeat to new pages 34-36 and being again halfway through old page 38..." They went with it and barely missed a beat in performance.
The evening reading was the in Gonzo's new space, The Baroque Room, which is a beautiful room full of harpsichords (hence the name, I s'pose). I got to see some old friends at the reading, including this Food Junta lady, Claire, which was lovely. Then there was a reading the next morning at Golden's Deli (downstairs from the Baroque room), where I took some pictures!
It's a very particular kind of thrilling to hear your work read out loud by well-suited actors. Especially so when you get to hear the changes you've made take effect so soon (in my fiction writing and most of the process of writing the play, I've been left to the echo chamber of my own mind, which is not nearly as fun).

